Tomorrow, in a Year
Not only is this my second post of the day, this one again has Karin Dreijer Andersson, of Fever Ray and The Knife, at the center of the topic. If you don’t know about Fever Ray or The Knife then I feel bad for you because you have been missing out on the amazing art they create. If you do know about them, then you probably know all about the Darwin Electro-Opera that Karin and brother Olof Dreijer have been working on. Tomorrow, in a Year premiered September 2nd at Hotel Pro Forma to great reviews and is currently on tour throughout Europe. Unfortunately, I can’t find any rumors or plans for the show to come to the States. I guess we’ll have to settle for the studio recording, set to be released early 2010, and hopefully a DVD (fingers-crossed). Other Musical collaborators include Mt. Sims and Planningtorock. Judging by the videos Hotel Pro Forma has posted, I think it would be absolutely spectacular to have the privilege of witnessing this performance live, and even more so in an elevated state (if you know what I’m saying).
Here is the description from Hotel Pro Forma’s website:
The world seen through the eyes of Charles Darwin forms the basis for the performance Tomorrow, in a Year. Theatre production company Hotel Pro Forma’s striking visuals blend with pop-duo The Knife’s ground-breaking music to create a new species of electro-opera.
An opera singer, a pop singer and an actor perform The Knife’s music and represent Darwin, time and nature on stage. Six dancers form the raw material of life. Together with the newest technology in light and sound, our image of the world as a place of incredible variation, similarity and unity is re-discovered.
Tomorrow, in a Year – A Darwin Electro-Opera
Colouring of Pigeons, from Tomorrow, in a Year
Tomorrow, in a Year is a performance that, with its exquisite scenic narrative technique and boldly exploratory music, shifts the positions of operatic art in a single leap… The Knife do not stick to the forms they have already mastered and their own internationally recognised sound. In Tomorrow, in a Year they actually play Darwin himself, bringing into play the entire tradition of electronic music.
– Dagens Nyheter (SE)
With mezzo-soprano Kristina Wahlin in blinding red, standing upright with a staff in her hand as though she were guarding something holy, with a voice that reaches the heavens. It’s beautiful! Strøbech wanders, like the romanticist and scientist that he is, convincingly in Darwin’s footsteps and respectively in his shadow… The collaboration with The Knife is pure genius.
– Politiken (DK)
Certain frequences in the performance make the chairs at the Royal Theatre vibrate… Darwin’s world is brought to life in front of our eyes.
– Helsingborg Dagblad (SE)
I am so jealous that I will likely never have the chance to experience this performance!