Even though he’s had this up and running for a while, we’ve never really shared it. Bradnon has a folder on his desktop that’s filled with imagery that he find visually inspirational for one reason or another. Iconic. Ritualistic. Spiritual. Demonic. Beautiful. Disturbing. He decided to start categorizing them in a somewhat nonsensical fashion online. This is the result: depository.noyou.do
This collection is by Brandon, and was primarily created for his own personal use. So if there is something that offends you, get over it and please point your browser elsewhere. Take it for what it is, visual XXX.
Suggested listenings for viewing the gallery
CocoRosie – R.I.P. Burnface (Daytrotter Studio)
Radiohead – Reckoner (Bangalore Mashup)
Lil’ Wayne – Drop the World
Freitag makes radical adaptive reuse products to put stuff in, so it’s equally fitting that their storefront in Zurich is an adaptive reuse of shipping containers. I love shipping container construction, and this is the tallest and most unique building of it’s type (thanks to the truckspotting deck). Their product line could be considered a fine piece of artwork – with a store that creates the perfect frame.
Freitag Zurich – 9 Stories of Shipping Container Glory
Freitag Zurich – Storefront
Freitag Zurich – Interior
Freitag Zurich – Go Truckspotting
Freitag Zurich – Open Air Roof, perfect for Truckspotting
I wrote the draft to this post using OmmWriter. If you have a Mac I highly recommend this free application. It’s great to just quiet everything down and type your thoughts out in a nice peaceful environment with all your distractions removed.
I know it’s been too long, sorry. I’ve been busy trying to make things happen, as well as simply pay the bills. There’s some great stuff that I’m really looking forward to release in 2010. On the industrial front I’ve been working on a new platform bed, a couch set, and a wall clock. Also, my new portfolio is getting really close to being done. I’m excited to be able to share it with you all soon.
On the personal side of things, I have a new obsession that scares the shit out of me but I’m in love with it. I may or may not give more details in the future. Sorry to be such a tease.
Enough about me, here are some treats for you to enjoy.
Hot Chip released their new album One Life Stand last month and I’ve really been enjoying it thus far. Their latest single I Feel Better has one of the best videos I’ve seen in a long time. It’s totally ridiculous and will leaving you pondering “what… the… fuck… just… happened?” And that’s what makes it so great! Props to Peter Serafinowicz for directing such a rad video.
Hot Chip – We Have Love
Bear in Heaven – Ultimate Satisfaction
Bear in Heaven – You Do You
Hot Chip – I Feel Better
When I first saw The Big Lebowski, I was at a loss. I couldn’t figure out what the hell was going on, or what any of it meant. But, I suppose that makes sense as I was about 12 when it came out. Since then, I’ve come to love it. With Netflix instant viewing, I now watch it about once a week. And while I still don’t know what a lot of it means (that’s actually one of its great strengths), I now count it among my favorite films.
So imagine my great joy when I came across this: The Big Lebowski as written by William Shakespeare. The entire screenplay re-written, as if by Shakespeare. That alone should be enough for you to follow the link and check it out. But, if it isn’t, here are a couple of choice excerpts.
1) The Big Lebowski and Brandt question The Dude (Knave) in the Limo.
Speak, and speak quickly, foul vagrant!
I beseech ye, there is a beverage here.
Our attempts to reach thee have been frantic and numerous, Knave.
Whither my money? They did not receive the money. Thou liest, thou shag-haired villain! Thou odious maggot! Her life was in thy hands!
Verily, this be our concern, Knave.
2) Donny and Walter.
I be the walrus.
Hold thy tongue, Donald! Thy mind is Lenten.
The quality of wealth has sicken’d me.
An had I known that this would come to pass
(O vilest strumpet! Sinner! Painted whore!)
I might have tarried ere accepting service.
War in far-flung jungles, as my friends
Did die face-down in mire and muck and fens!
Now that Twitter has lists, it’s become even easier to follow more people without missing the content you really want. Here are a few of my favorite people/things to follow.
Music: @AmazonMP3 If you’re still buying music on iTunes, I only have one question: Why? AmazonMP3 albums are always cheaper, and every month they have at least 50 albums for $5. Plus, they offer $3 off coupons all the time. I bought the Antlers’ album, Hospice*, the other day for $2.00. Follow them on Twitter for the daily deal and special discounts.
Entertainment: @Variety Probably the best source for Entertainment news. And one of the news sources best-suited to 140 characters. For casting updates and box office reports, a headline is all you need.
Important: @TheEconomist For when you CNN isn’t really enough. More in-depth and thoughtful articles on finance, business, and world news.
Funny: @TheSulk Alec Sulkin*, a writer/actor/producer of Family Guy, has becomes my favorite for quality one-liners. It’s nice to see things like,“God, I wish I was 5 years younger, and not me.” in your feed every once in a while.
*My thanks to @TylerRomes for recommending both of these things to me.
Here’s a list of my very favorite films* of 2009.
1) ADVENTURELAND. This is an interesting choice, I know. I get shit all the time for liking this movie and now I’ll hear about it even more for placing it atop my list. But, I love it. Adventureland was mis-marketed when it came out. Sure Greg Mottola directed it, but this is no Superbad 2. It’s an honest, slow, and caring look at growing up. A coming of age story that deals with work, family, and love in familiar yet fresh ways. Jesse Eisenberg may play the same character he does in every film, but he plays it brilliantly here. And you almost forget Kristin Stewart is Bella Swan in those other movies, as she pulls off a moving and subtle performance here as Em, Eisenberg’s love interest. Rounding out the cast are favorites like Martin Starr, Bill Hader, and Kristing Wiig each adding another layer to the film.
2) UP IN THE AIR. You know those movies you go into with such high expectations you just can’t help but be let down? Up in the Air was already on a number of top ten lists before I got a chance to see it. I had already heard that George Clooney gave a career-defining performance, and that Anna Kendrick was sure to be a star. My expectations could not have been higher. But, then I saw it. And Up in the Air delivered. Topical in a way Director Jason Reitman never could have anticipated, this film about a corporate downsizer who spends 250 lonely days per year flying, somehow manages to make you care about a man who fires (sometimes dozens of) people every day. The performances are astounding, particularly Clooney and Kendrick, but what’s surprising is the heart.
3) (500) DAYS OF SUMMER. Is there anything more tired and cliche than the Romantic Comedy? I mean, this is the year that gave us The Ugly Truth and Confessions of a Shopaholic. (500) Days of Summer while not completely free of the usual Romantic Comedy trappings (goofy best friend, precocious little sister) rises above the genre with inventive writing and direction, a non-linear plot, and dashes of creativity that in lesser hands would have felt like trite indie-movie tropes. Instead we get an engaging story about love (not a love story), led by my favorite new pair of leading actors: Joseph Gordon-Levitt and Zooey Deschanel.
4) STAR TREK. I’ve only seen two episodes of the original series, and I have no interest in dressing up and attending a Star Trek convention, but I still loved this movie. And that says a lot about what Director J.J. Abrams accomplished here. A movie for fans and novices alike, what makes Star Trek so successful are the intense action, the seamless effects, and a story we care about. We know who these characters are, and we care what happens, whether or not we’ve already been watching them for 40 years.
5) INGLOURIOUS BASTERDS. This is easily my favorite Quentin Tarantino movie. For the first time in his career, I feel like style serves the substance instead of the other way around. He’s confident enough to leave scenes at a desperately-long 25 minutes, even when the only thing happening is a conversation. But, it’s in these scenes that the tension rises to levels higher than in any other film this year. Lives are threatened here just as often by the tone of a voice as by the end of a bat. It’s thrilling, unexpected, and altogether original.
6) AVATAR. Talk about a movie with high expectations. James Cameron’s first feature in over a decade was famous well before anyone ever saw a screen shot. Estimates of the film’s enormous budget were circulating before any reviews came in. But now that the film is out and the dust has settled, what remains? A beautiful and groundbreaking film. I won’t argue the merits of the story, as it is indeed a sort of environmentalist Dances with Wolves. But the effects are incredible. It’s the best 3D and motion capture I’ve ever seen. You forget that the Na’vi aren’t a real people Cameron found, that Pandora isn’t a real place. As promised, I think we’ll find that Avatar was the beginning of a new wave of filmmaking.
7) FANTASTIC MR. FOX. If Cameron demonstrated the possibilities of cutting edge technology, Wes Anderson showed just how much could be accomplished with anachronistic stop motion. A project years in the making, Fantastic Mr. Fox looks like a handmade art school project. And I mean that in the best possible way. Every frame is filled with Anderson’s details: Carpet patches as farmland seen from above, a tiny corduroy suit, miniature paintings. The things we came to love about The Royal Tenenbaums and Rushmore years before somehow feel original again in this context. Here’s proof that Anderson one of the best directors of the 1990′s still has some originality left nearly 20 years later.
8) UP. Pixar has yet to make a bad film, and even with this impressive pedigree, Up is one of their best. Where they’ve dealt with children and families before, Up takes a decidedly different approach, as the main character is an older man whose life has largely already passed. In perhaps the best montage of the year, we see his whole life progress from childhood, up until the death of his long-time love. It’s new ground for Pixar and it works. The story falters only slightly near the end with a villain that’s a little too stilted.
9) WHERE THE WILD THINGS ARE. There are only two ways to view this film: 1) It’s boring, slow, confusing, and seems to have little to do with the book or anything else -or- 2) It’s brilliant, visually-rich, emotionally complex, and challenging. I’m in the latter camp. Spike Jonze, working from a screenplay he co-wrote with Dave Eggers, created the strangest mainstream film of the year. Love it or hate it, it’s absolutely worth viewing.
10) ZOMBIELAND/THE HANGOVER. I guess this is cheating, but I liked these two for the same reason. They’re just fun. They aren’t trying to be anything more than pure, simple entertainment. And sometimes that’s what we really want. They can’t all be Up in the Air.
* I should mention that there are a few movies I haven’t seen yet that probably would have made this list. Among them are: The Hurt Locker, Big Fan, Precious, A serious Man, and A Singe Man.
I just came across a great clip from the late, great Bill Hicks, and had to post about it so others wouldn’t miss it. You may consider me posting this as “biting the hand that feeds.” But, for me it’s a good clip to keep the people(including myself) involved in advertising/marketing in check with their sense of morality. Sorry William, I’ve got bills to pay, hopefully someday I won’t have that as an excuse.
Bill Hicks – Marketing & Advertising
If that clip was your first experience of Bill Hicks, then you might be a little put-off by him. Below is a clip that’s a bit more inspirational. It’s Bill Hicks words from his “It’s Just a Ride” segment with a simple underlying track by the Kleptones.
Bill Hicks – Last Words (A Tribute)
“… I had a vision of a way we could have no enemies ever again, if you’re interested in this. Anybody interested in hearing this? It’s kind of an interesting theory, and all we have to do is make one decisive act and we can rid the world of all our enemies at once. Here’s what we do. You know all that money we spend on nuclear weapons and defense every year? Trillions of dollars. Instead, if we spent that money feeding and clothing the poor of the world, which it would pay for many times over, not one human being excluded… not one… we could as one race explore outer space together in peace, forever.”
It’s been said (since 2008) that a film about Hicks’ life and career is in the pre-production stage with Russell Crowe possibly playing the main role of Hicks, and is rumored that Ron Howard may be directing it. Hopefully the movie will come together at some point in the near future. There’s also an animated feature documentary coming out about Hicks, American: The Bill Hicks Story, that has been receiving praise. It’s has a UK release dated the 31st of March, 2010. Unfortunately, I haven’t been able to find a release date for here in the States.
Not only is this my second post of the day, this one again has Karin Dreijer Andersson, of Fever Ray and The Knife, at the center of the topic. If you don’t know about Fever Ray or The Knife then I feel bad for you because you have been missing out on the amazing art they create. If you do know about them, then you probably know all about the Darwin Electro-Opera that Karin and brother Olof Dreijer have been working on. Tomorrow, in a Year premiered September 2nd at Hotel Pro Forma to great reviews and is currently on tour throughout Europe. Unfortunately, I can’t find any rumors or plans for the show to come to the States. I guess we’ll have to settle for the studio recording, set to be released early 2010, and hopefully a DVD (fingers-crossed). Other Musical collaborators include Mt. Sims and Planningtorock. Judging by the videos Hotel Pro Forma has posted, I think it would be absolutely spectacular to have the privilege of witnessing this performance live, and even more so in an elevated state (if you know what I’m saying).
Here is the description from Hotel Pro Forma’s website:
The world seen through the eyes of Charles Darwin forms the basis for the performance Tomorrow, in a Year. Theatre production company Hotel Pro Forma’s striking visuals blend with pop-duo The Knife’s ground-breaking music to create a new species of electro-opera.
An opera singer, a pop singer and an actor perform The Knife’s music and represent Darwin, time and nature on stage. Six dancers form the raw material of life. Together with the newest technology in light and sound, our image of the world as a place of incredible variation, similarity and unity is re-discovered.
Tomorrow, in a Year – A Darwin Electro-Opera
Colouring of Pigeons, from Tomorrow, in a Year
Tomorrow, in a Year is a performance that, with its exquisite scenic narrative technique and boldly exploratory music, shifts the positions of operatic art in a single leap… The Knife do not stick to the forms they have already mastered and their own internationally recognised sound. In Tomorrow, in a Year they actually play Darwin himself, bringing into play the entire tradition of electronic music.
- Dagens Nyheter (SE)
With mezzo-soprano Kristina Wahlin in blinding red, standing upright with a staff in her hand as though she were guarding something holy, with a voice that reaches the heavens. It’s beautiful! Strøbech wanders, like the romanticist and scientist that he is, convincingly in Darwin’s footsteps and respectively in his shadow… The collaboration with The Knife is pure genius.
- Politiken (DK)
Certain frequences in the performance make the chairs at the Royal Theatre vibrate… Darwin’s world is brought to life in front of our eyes.
- Helsingborg Dagblad (SE)
I am so jealous that I will likely never have the chance to experience this performance!
Last night I was listening to the new Resident Advisor podcast put together by Karin Dreijer Andersson of Fever Ray and The Knife. She is by far one of the best artist for a Halloween themed mix. The mix is great, especially for background listening while working, but I wasn’t really going to write a post about it. That is until I got to the 52 minute mark and Entombed’s cover of Night of the Vampire came on. I haven’t really listened to metal for quite awhile, but when this blasted in, it broke me out of my work trance and got me head-banging. After the little jam session I knew I had to share this for others to enjoy.
Karin Dreijer Andersson – Halloween Mix
- Neil Young – Guitar Solo 1
- Yo La Tengo – Everyday
- Journey To Ixtlan – Corpse On The Mesa
- Jad & David Fair – Nosferatu
- Zola Jesus – Devil Take You
- Bruce Haack – Mean Old Devil
- Krause – Duo Canopolis
- Burial Hex – Will To Chapel
- Suicide – Ghost Rider
- Amadou & Miriam – Ja Pense À Toi
- Shackleton – Death Is Not Final
- Entombed – Night of the Vampire
- Maddalena Fagandini – Interval Signals
- Burundi: Musiques Traditionnelles – Chant Avec Cithare
For those of you that don’t have any patience, here is the single of Night of the Vampire as covered by Entombed. The original song was written and performed by the criminally insane, but brilliant, Roky Erickson.
Entombed – Night of the Vampire